In “paktong” and colored with champlevé enamels, the large circular base with ring sections, presents eighteen panels delimited by greeks, with wises, richness and longevity symbols (coins, mugwort leaf…), and varied flowers decoration (peonies, magnolias, prunus…). The cylindrical central area, more thin, shows in openwork a birds scene amidst fruits (pomegranate, peaches…) between two bands composed by flowers and bats in alternation. This screwed part hides the oil reserve and have a delicate openworked ring on its top. Each set is constrained by double lines in relief. The wick  with a cap on a curving disc resting on the reserve top, enhanced with a stylised motives frieze. The elegant and spindle-shaped lamp covered with a dome-shaped glass of quiet pink color.
For an example of a similar piece, see the lamp in the center of the tray in the book “The art of opium antiques”- Steven Martin, p. 96